[39] The telecast aired to over 60 million viewers who watched at least a portion of the film,[9] becoming the most-watched television musical in several years and earning more viewership than 1993's Gypsy. [12] Meron believes that the organization was so open due to Houston's involvement, explaining, "Whitney was so huge at that time; to a lot of executives she was popular entertainment as opposed to being defined by her race. [14] The network grew disinterested in favor of other titles by 1996,[18] while Houston herself was already committed to several other projects. Welcome back to The Saturday Night Movies Podcast! "[2] Similarly, television critic Ken Tucker, writing for Entertainment Weekly, praised Brandy and Alexander but found that Houston "strikes a wrong note as a sassy, vaguely hostile Fairy Godmother" while dismissing Montalban as "a drearily bland prince" and describing most of the musical numbers as "clunky", predicting that children "will sleep through" the film. [29] Writing for Nylon, Taylor Bryant called the film both "An Underrated Classic" and "One of the most important moments in [film] history". "[37] Attempting to eliminate the element that Cinderella is simply waiting to be rescued by the prince, Freedman explained, "I'm not saying that it's the most feminist movie you'll ever see, but it is compared the other versions. In Release 294 days/42 weeks. [16] The Rodgers & Hammerstein Organization allowed the filmmakers an unusual amount of freedom to modify the musical's script, among these changes making Cinderella a more active heroine;[37] Meron credits Freedman with "giv[ing] her a little bit more of a backbone", ultimately developing the character into a more independent woman. [36] Bernadette Peters was ultimately cast as Cinderella's stepmother, her second villainous role after originating the Witch in the stage musical Into the Woods (1986). [49] Although well-received by audiences,[27] Cinderella premiered to generally mixed reviews from most critics,[89][98][99][100] who were critical of some of its songs, cast and feminist approach,[34][41] at times deeming it inferior to the 1957 and 1965 versions. Adapted from Oscar Hammerstein II's book, Freedman modernized the script to appeal to more contemporary audiences by updating its themes, particularly re-writing its main character into a stronger heroine. Budget $95,000,000. I know it was important for Whitney to leave this legacy for her daughter. "[34], The film received several accolades. "[134] On February 11, 2021, the day prior to the film's premiere on Disney+, Entertainment Weekly held a virtual reunion with the surviving principal cast members. ", "TV Weekend; The Glass Slipper Fits With a 90's Conscience", "11 Cinderella Movie Adaptations, Ranked", "It's Beauty and the Beast: A multiracial 'Cinderella' and a bloody-bad 'House of Frankenstein' kick off sweeps", "Bernadette Peters will star in a new production of the Rodgers and Hammerstein classic, Cinderella, to be aired on ABC-TV Nov. 2", "Why Brandy's Cinderella Is Actually the Best Cinderella (Yes, Including the Original)", "Cinderella Screening: A Star Sapphire Evening", "Brandy & Whitney Houston's 'Cinderella' Is Airing In Honor Of Its 20th Anniversary & You Won't Want To Miss It", "Adding More To Cinderella's Score? With its enchanting story, iconic animation, unforgettable characters and plenty of Bibbidi-Bobbidi-Boo. . "[89], Brandy Norwood reprises her role as Cinderella in the Disney+ film The Pocketwatch, part of the Descendants franchise.[149]. [49] Praising its sets, costumes, choreography and script, Paller concluded "everything about the TV play worked", predicting that both young and adult audiences will find the program memorable. [51], ABC aired Rodgers & Hammerstein's Cinderella on August 23, 2022 for the film's 25th anniversary, following Cinderella: The Reunion, A Special Edition of 20/20. TV Shows. Rodgers & Hammerstein's Cinderella was nominated for several industry awards, including seven Primetime Emmy Awards, winning one for Outstanding Art Direction for a Variety or Music Program. The Prince returns to the palace, where he is apprehended by his valet Lionel for once again visiting the kingdom disguised as a commoner, and learns that his parents, Queen Constantina and King Maximillian, plan to host a ball in order to find their son a suitable bride, an idea he strongly protests because he would rather marry for love. [42][46] The filmmakers agreed that Alexander deserved his own musical number due to his experience as a musical theatre performer, and decided to combine the Steward's "Your Majesties" with the Town Crier's "The Prince is Giving a Ball" from the original musical into an elaborate song-and-dance sequence. [15][39] Describing the film as "Short, sweet and blindingly brightly colored", TV Guide film critic Maitland McDonagh wrote that Cinderella is "overall a pleasant introduction to a classic musical, tweaked to catch the attention of contemporary youngsters. [103], Praising its score and faithfulness to the source material, Eileen Fitzpatrick of Billboard called the film a "sure to please" remake while lauding Brandy's performance, joking that the singer "slips into the Rodgers and Hammerstein Broadway-like score as easily as Cinderella fits into the glass slipper". #9. [17] Cosmopolitan's Alexis Nedd wrote that the film's final cast consisted of "Broadway stars, recording artists, relative unknowns, and bona fide entertainment superstars. Financial analysis of Rodgers & Hammerstein's Cinderella (1997) including budget, domestic and international box office gross, DVD and Blu-ray sales reports, total earnings and profitability. Back at their own home, Cinderella wishes to attend the ball herself, but her stepmother ridicules the idea, advising her that a prince would never be interested in her and to remain grateful for her current life. [20] The producers hoped that the cast's diversity would enhance the film's "universal appeal" and interest children of all ethnicities. [36] According to Peters, the song demonstrates her character's disappointment in her own life, exploring why she has grown so embittered and jealous of Cinderella. [4], According to Ray Richmond of Variety, Freedman's teleplay is faster in pace and contains more dialogue than previous versions,[2] although A Problem Like Maria: Gender and Sexuality in the American Musical author Stacy Ellen Wolf believes that the teleplay borrows more from the 1957 version than Joseph Schrank's 1965 version due to sharing much of its humor, dialogue and gender politics with Hammerstein's book. [99][132] Brandy's performance earned her the titles "the first Cinderella of color", "the first black Cinderella" and "the first African-American princess" by various media publications,[32][98][140][141] while Shondaland.com contributor Kendra James dubbed Brandy "Disney's first black princess", crediting her with proving that "Cinderella could have microbraids" and crowning her the Cinderella of the 1990s. 16. Critics Consensus: Woody Allen's Blue Jasmine finds the director in peak late-period form -- and benefiting from a superb cast led by Cate Blanchett. [79] Similarly, Bert Fink of the Rodgers & Hammerstein Organization said that the program's ratings will most likely "have a salubrious effect on" the future of television musicals. [38], Freedman continuously re-wrote the script between 1993 and 1997, particularly concerned about whether or not Houston would like his teleplay. "[49] According to Paller, the screening resembled a Broadway tryout more than a film preview since the audience reportedly applauded at the end of every song. [24] Fitzpatrick went on to write that the supporting cast lacks "a weak link" entirely, finding it obvious that Houston enjoyed her material and commending the contributions of Peters, Alexander, Goldberg, Garber, Cox and Deselle. Critical reception towards the film has improved over time, with several media publications ranking it among the best film adaptations of the fairy tale. [102], Teresa Talerico, writing for Common Sense Media, praised the film's costumes, sets and musical numbers while lauding Peters, Goldberg and Houston's performances, but found the choreography stiff. "I auditioned some 7,000 times for Cinderella ," James jokingly recalled to The Hindu in 2020. [22] For the titular role, Houston recommend singer Brandy, a close friend,[20] in her first major film appearance. Although mistreated by her cruel stepmother and stepsisters, Cinderella is able to attend the royal ball through the help of a fairy godmother. [5] The final actor to audition for the film,[36] Paolo Montalban was ultimately cast as Prince Christopher in his film debut;[23] Montalban had been an understudy in Rodgers and Hammerstein's musical The King and I at the time. [24] New York entertainment critic John Leonard praised the cast extensively, highlighting the performance of Brandy whom the writer said possesses "the grace to transfigure inchoate youth into adult agency" while complimenting the work of Houston, Montalban, Peters, Goldberg and Alexander, the latter of whom the critic identified as a reminder "that he belonged to musical theater before he ever shacked up with Seinfeld's slackers. [32] Houston would encourage the singer to "Sing from your gut" as opposed to singing from her chest in order to get her to sing louder. [77] Rodgers & Hammerstein's Cinderella premiered on November 2, 1997 during The Wonderful World of Disney on ABC, 40 years after the original broadcast. [39] Casting the stepmother proved particularly challenging since most of the white actresses considered for the role felt uneasy about acting cruelly towards a Black Cinderella; Bette Midler was among several actresses who declined. [12] The New York Daily News journalist Denene Millner observed that although the remake is "not all that different from the original", its version of Cinderella is more outspoken, the prince is more interested in finding someone he can talk to as opposed to simply "another pretty face", as well as "a hip fairy godmother who preaches self-empowerment" as a result of its "'90s flair". [11][52] Despite being covered by singer Bing Crosby, "There's Music in You" remained obscure for 40 years until its re-discovery. [47] Identifying Brandy as one of her inspirations for the role,[142] Palmer explained, "I feel like the reason I'm able to do this is definitely because Brandy did it on TV". Genres Adventure Drama Family Fantasy Romance. "[20] The filmmakers also agreed that it would be wasteful to cast Peters without allowing her to sing. [12] Music producers Chris Montan and Arif Mardin were interested in combining "Broadway legit with Hollywood pop",[12] re-arranging the musical's original orchestration in favor of achieving a more contemporary sound by updating its rhythm and beats. "[12] Towards the end of filming, the producers realized that they did not have enough money to pay for extras and additional costs, and Disney refused to loan any more money to the production. "[4] Houston found the most impressive part of the remake to be "the lessons youngsters can learn about dreams and self-image". [36] The producers agreed to finance the remainder of the project using their own money, while Goldberg volunteered to donate the rest of her daily salary to completing the production. [37], Brandy found the recording process "challenging" because the film's songs were different than any material she had recorded before, explaining that she was nervous since her "voice wasn't fully developed", especially in comparison to her idol Houston and at times struggling to project. [53] Despite praising Houston, Montalban, Alexander and Peters, People's Terry Kelleher found Brandy's vocals inferior to Houston's and "lack[ing] the vocal command and emotive power to" support the film's ballads. [20][52] Few songs remaining in Rodgers and Hammerstein's repertoire were deemed suitable until they re-discovered "There's Music in You", a little-known song from the film Main Street to Broadway (1953),[20] in which the songwriters play themselves. [66] Highlighting the performances of Montalbn, Peters and Houston, Entertainment Weekly ranked Rodgers & Hammerstein's Cinderella the fourth greatest adaptation of the fairy tale, ahead of both the 1965 (10th) and 1957 (sixth) versions, with author Mary Sollosi calling it one of "the 11 best-known film adaptations of the tale". [27] Both Polygon and Mashable named 1997's Cinderella the best version of the story,[100][132] while Entertainment Tonight ranked the film the third greatest adaptation of the fairy tale. [41] According to George Rodosthenous, author of The Disney Musical on Stage and Screen: Critical Approaches from 'Snow White' to 'Frozen', "traces of sexism" were removed from the script in favor of creating "a prince for a new era" while maintaining its "fundamental storyline";[42] this version of the story emphasizes that the prince has fallen in love with Cinderella because she is funny and intelligent, in addition to being beautiful. Widest Release 3,848 . In addition to Cinderella herself, Mirojnick costumed all female guests attending the prince's ball in various shades of blue, ranging from aqua to sapphire;[49] Meron believes that Mirojnick's use of color in the characters' costumes distracts from the various skin colors of the film's actors. [4][19] The film has a total of five executive producers: Houston, Chase, Zadan, Meron and David R. [90] The network also aired "Cinderella"-themed episodes of Brandy's sitcom Moesha and the sitcom Sister, Sister in commemoration. [104] In addition to receiving praise for its overall craftsmanship and musical format, critics appreciated the film's color-blind cast. Solely determined to bolster their own wealth and social status by marrying the prince, Cinderella's stepfamily leaves for the ball, leaving Cinderella home alone. Rodgers & Hammerstein's Cinderella is a 1997 American musical telefilm produced by Walt Disney Television. Parents need to know that Rodgers and Hammerstein's Cinderella is a 1997 TV movie adaptation of the popular 1957 TV musical (itself based on the classic Charles Perrault fairy tale).While the film does include bullying, name-calling ("stupid," "lazy"), and comical slapstick -- including drunkenness played for laughs in one musical number -- it's very kid-friendly overall. $182 million [2] Cinderella is a 1950 American animated musical fantasy film produced by Walt Disney Productions and released by RKO Radio Pictures. "[106] Describing the film as "big, gaudy, miles over the top and loads of fun", Variety's Ray Richmond found some of its aspects distracting and opined that the entire project "could have been toned down a notch and still carried across plenty of the requisite spunk. One of the best Disney movies from the 90s, 101 Dalmatians live-action is based on the book by Dodie Smith. Yusof (lahir 14 Julai 1971) atau lebih dikenali sebagai Eizlan Yusof merupakan seorang pelakon dan pengarah Malaysia. [45] These segments were again interpolated with excerpts from the 1957 version. Using all the gifts I've been given as an advocate, philanthropist, photographer, and author, I bring more than twenty years of leadership, fiscal accountability, stewardship, communication, and . [15] The film became ABC's most-watched Sunday night program in more than 10 years,[81][82] as well as the most-watched program during the network's two-hour 7:00 pm to 9:00 pm time slot in 1314 years,[9][15][78][83] a record it broke within its first hour of airing. This became the highest-selling home video release of any made-for-television film at that time,[81][82] selling one million copies its first week. They save the original sound while updating it. [36][70] The Brooklyn Paper estimates that Goldberg wore approximately $60 million worth of jewelry for the film. graff chevrolet. The film was a huge box-office success and allowed Disney to carry on producing films throughout the 1950s. View 2816 Paran Pointe Dr, Cookeville, TN 38506 property records for FREE including property ownership, deeds, mortgages, titles & sales history, current & historic tax assessments, legal, parcel & structure description, land use, zoning & more. Following the success of the 1993 television adaptation of the stage musical Gypsy (1959), Houston approached Gypsy's producers Craig Zadan and Neil Meron about starring in a remake of Rodgers & Hammerstein's Cinderella for CBS. "[16] His efforts apply to both Cinderella and the prince; while Cinderella pines for independence from her stepfamily and actively disagrees with her stepmother's opinions about gender roles in marriage, the prince protests the idea of being married off to simply anyone his parents choose. [37] Rodgers & Hammerstein's Cinderella premiered on October 13, 1997 at Mann's Chinese Theatre,[75] which Houston attended with her husband and daughter. Cinderella grows dismayed and wishes to leave when the King and Queen ask her about her background, but her Fairy Godmother encourages her to stay. For further information on notice of non-discrimination, the OCR office for North Carolina is located at: Washington DC (Metro), Office for Civil Rights, U.S. Department of Education, 400 Maryland Avenue, SW, Washington, D.C. 20202-1475; Telephone Number: (202) 453-6020; e-mail: OCR.DC@ed.gov. [27] Principal photography began on June 23, 1997 and was completed over a 28-day period,[13][17][60][61] primarily on stages 22 and 26 at Sony Picture Studios in Culver City, California,[35] which had been the location of MGM Studios during what is now revered as "the golden age of the movie musical. It's Possible! [115] Rodgers & Hammerstein's Cinderella was the 13th most nominated program at that year's ceremony. [101] Similarly, Martha Tesema wrote in an article for Mashable that "seeing Brandy as Cinderella on screen was groundbreaking" having "grown up in a time where future Disney characters like Tiana did not exist and the reason why didn't cross my minduntil this Cinderella. Cinderella (Brandy) chafes under the cruelty of her wicked stepmother (Bernadette Peters) and her evil stepsisters, Calliope (Veanne Cox) and Minerva (Natalie Desselle), until her Fairy Godmother (Whitney Houston) steps in to change her life for one unforgettable night. MPAA PG. "[39] Freedman identified Houston's eventual re-casting as the Fairy Godmother as a moment that instigated "the next round of rewriting",[16] adapting her version of the character into a "worldly-wise older sister" to Cinderella, as opposed to the "regal maternal figure" that had been depicted prior. [94][99][131] The Daily Telegraph deemed the 1997 adaptation "The final of the trio of classic Cinderella remakes". [17][26] Brandy, who identified "Cinderella" as her favorite fairy tale,[19] was the first person of color to portray the character on screen,[17][27] with both Brandy and Houston becoming the first African-American actresses to play their respective roles in any screen adaptation of the fairy tale,[28][29] although an all-Black modern-day re-telling of "Cinderella" entitled Cindy had premiered in 1978. [25] The Los Angeles Times critic Howard Rosenberg wrote that the prince's inability to recognize that some of the women trying on the glass slipper in his search for Cinderella are white as part of "what makes this "Cinderella" at once a rainbow and color-blind, a fat social message squeezed into a dainty, glass slipper of a fable. [9][48] Alexander accepted the role despite being paid significantly less than his Seinfeld salary because, in addition to hoping to earn Zadan and Meron's favor for the title role in a potential film adaptation of the musical Sweeney Todd: The Demon Barber of Fleet Street (1979), he hoped that Cinderella would positively impact the future of television musicals. [5][6] Songwriters Richard Rodgers and Oscar Hammerstein II originally wrote Cinderella as a musical exclusively for television starring Julie Andrews,[7] which aired in 1957 to 107 million viewers. The revenue listed is the worldwide box office combined with the domestic home market revenue to date. authentic viking battle axe, kotor 2 lost jedi quest bug,

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