Fender Blackface Vibro Champ. Blackface Mod Kits - VintageFenderAmpRepair.com That's a bit of an apples and oranges comparison. Concert (Blackface), Super Reverb (Blackface), Super Reverb (Silverface) Super Reverb Amp: AA763, AB763, AB568, AA270. In 2019 it seems that the 12 watt Princeton Reverb has attained a level of desirability and popularity that may eclipse that of any other Fender amp ever built. I know stuff like pre-/post-CBS, different tubes, cab construction, etc., but I am more concerned about the specific tonal qualities of each. BF/SF Deluxe | fenderguru.com Browns are my favorite Fenders of all time. Steive Ray Vaughn made this amp famous with his signature blues style, and it's a great bet for players who want to get that kind of tone. Brown vs. Blackface Fender tone? | Telecaster Guitar Forum When I saw the amp in person, I confirmed that it was indeed a '67 from the serial number, AB763 tube chart, and blackface footswitch. I have a 1968 first week Super Reverb that is like this. . Fender super reverb blackface i have a fender super reveb blackface amp, model #ab763 with s# a15838 with nl stamped on the tube chart, with the # 606624 on the inside it was my grandfathers, can you tell me anything on it.thanks I got it for $500 bucks at a local auction (I live in Redneckville and people didn't know what they had LOL). Comparison: 1971 Fender Twin Reverb Vs 1965 Fender Twin Reverb with a 2013 Gibson SG Standard Custom Shop and a 1973 Fender Stratocaster.57 LP Twin Vs 59 HP . Browns are my favorite Fenders of all time. By Jimihendrix55, June 26, 2008 in . Aug 24, 2010. Fender Silverface Deluxe Reverb. #2. I have an old silverface Fender Pro Reverb 1969, "Drip Edge", blackface to Silverface transition, and its sound is delicious . Fender Princeton vs Princeton Reverb Fender Princeton vs Princeton Reverb. Don't let the "watts" fool you. Blackface Twin Reverbs are the most coveted versions of this amp. All the AB763 amps (Deluxe, Vibrolux, Pro, Super, Twin++) have signal oscillating tremolo while the Princeton and Princeton Reverb have power tube bias shifting. It is good at two things, a) pristine super-clean tones and b) crunchy overdrive with the Fender tone coloration. Blackface tone is more sophisticated, the amps have more top end and increased headroom. He replaced the filtercap and a few of the electrolytics. But the silverface sounds amazing — just set the treble, bass and reverb controls fairly low and I'm in heaven. The Fender Super Reverb 45-watt tube combo guitar amplifier was offered in a blackface finish between 1964 and 1967, although some early silverface finished units still had blackface circuitry. The later Silverface Amps used a particle board baffle and hardboard type panels. The term "blackface" comes from the amp's black control panel with white lettering. The Deluxe Reverb developed out of the original Fender Deluxe amp. Super Reverb & Twin Reverb are of the same general loudness. Ground Guitar suggests silverface for old stuff and blackface for new stuff (2009 onward) but there's no references to any supporting articles. Pretty much all Fender reverb amps from that time period have the same preamp. (Blackface, Silverface, and all re-issues) The Super Reverb is a popular amp choice for players who want vintage Fender tone in a hefty 4×10 combo. They always have. My recent acquisition. The latter mdf cabs have glued in baffles - something to keep in mind if you plan to fit a 10". SpecsThis fiberboard is for the famous Fender AB763 Circuit. An industry standard, you'd be likely to find this amp everywhere from the studio to your local club's backline. Twin is straight as an arrow, thanks to the square headed response of 212. The reverb on the PR uses one half of a gain stage on one of the pre-amp tubes. Vintage correct chrome foots from the Super Reverb were installed. A Bassman, Super Lead, Master Lead, or Bandmaster can each have a very big open distorted sound set clean with the right pedal in front. Fender Blackface Vibrolux. The Bassman has a very 3D tone. BHighkin, Oct 13, 2012. It has wonderful cleans, a smooth break-up and is a good grab and go . AMAZING SOUND! Check here for more information.Few amps have rivaled the commanding image and sound of the Super Reverb. Cabinet: Blackface Super Reverb Head Cabinet. The AB763 circuit design was retained through 1967 (when the Silverface cosmetics were first introduced) and through 1968 (by 1968 the Blackface cosmetics were completely replaced by the Silverface cosmetics). Since its introduction in 1963, the Super Reverb has remained highly sought . I owned a Silverface mid 70's Pro Reverb for about six months in early 1998. My fave 'faux' BF amp right now is a '65 Bandmaster head in a Rodgers 3x10" cab---the amp that never was for 1/3 the money of a Super Reverb. FMI blackface amps usually have a better chance of having a Jensen speaker(s) in them than the FEI's in my experience. Blackface or Silverface with blackface circuit (Drip Edge with 4 black lines on the faceplate) which is a transition model. Among these, the 4x10 Super Reverb seemed to take on the mantle of the hallowed tweed Bassman. I spent another $200 bucks getting it retubed and fixed up and now it's my main amp. The Allen's are like super-BF's, even warmer and more aggresive than BF Fender's, I modded mine to be cleaner, smoother, I like to say I silverfaced it. The SF are usually more open sounding, and BF have the compression happening a little. I introduce you the best combo Fender Super Reverb - Silverface , 4x10 Fender special design ALNICO Speaker, with AB763 "Blackface" Circuit. Remove the Reverb Driver Plate to Cathode Caps. Concert Amp: AB763 Fender PN: 125A9A, 022855 [PAM-OT-50-11R] $127.00 This includes the reverb circuit! The circuit was used in amplifiers such as the Fender Blackface Vibroverb, the Blackface Twin Reverb, the Silverface Super Reverb, the Blackface Super Reverb, and the . It was used in the Deluxe Reverb, Twin Reverb, Super Reverb, Concert, Band-Master, Showman, Pro, Vibrolux, Vibroverb, Tremolux and no-reverb Deluxe. Both amps in original condition with no mods. Black Vs Brown. The circuit was used in the Deluxe, Deluxe Reverb, Twin Reverb, Super Reverb, Band-Master, Showman, Pro, Vibrolux, Vibroverb and Tremolux. Fender Narrow Panel Tweed Deluxe. Modified silverface super reverb should go for no more than 750 dollars. In 1968 Fender changed to the "silverface" control panel. Mar 17, 2003. With their stated power of 85 watts, they are the most powerful Fender amps of the era. This Silver-to-Blackface conversion was done by Vintage Sound Amps (url: vintagesoundamps).Though VSA make their own brand of hand-wired versions of Fender amps, they also do Fender Silver-to-Blackface conversions, which includes most everything such as a correct Blackface transformer and the correct Blackface tube bias circuit. 6. Location: Ennis, Texas. During the Blackface and the early Silverface years Fender used a quality plywood for the back panels and the baffle. Browns are throaty, warm, and looser than BF amps. In fact, it was a different creation through and through. Just comes down to which sound you enjoy more. It might seem so if you take a look at the front panel and the knob functions. 7. Speakers: None. As volume levels have come down on stage, at home and on recordings, the Princeton sits squarely in the wheel house of many guitarists today who . Even a 1968 super reverb wouldn't come close to $2000, $1500 at the most. This is why so many post-AB763 amps were . Disclaimer: Some of the parts contained in this kit . Silverface Fender Vibrolux Reverb amplifier in action at Edwyn Collins' London studio (Image credit: Richard Ecclestone/Redferns/Getty) Unbeatable 'Verb & Trem. Fender Blackface Twin Reverb. Blackface tone is more sophisticated, the amps have more top end and increased headroom. That video illustrates an excellent example of the tone variances between the two. The AB763 Super Reverb is a very popular Fender amp due to the huge tone, robustness and the pure tone from the traditional blackface AB763 amp design. When I saw the amp in person, I confirmed that it was indeed a '67 from the serial number, AB763 tube chart, and blackface footswitch. This circuit was used in a wide variety of Fender Amplifiers back in the 60's and 70's. This version of the fiberboard is for the circuits that include reverb. Later Fender blackface and silverface tube amps should NOT have 6L6, 6L6G, 6L6GA or 6L6GB installed, due to higher operating voltages and currents. But a closer study of the circuit design will reveal that the Deluxe Reverb vibrato channel has the extra gain stage (one half of the 12AX7 V4 tube) common for the Fender reverb amps. Later Fender blackface and silverface tube amps should NOT have 6L6, 6L6G, 6L6GA or 6L6GB installed, due to higher operating voltages and currents. Don't buy an amp that's been molested by someone, meaning everything been changed out. 1969 is a cool year, so I don't mind a bit. I own a 1964 . When I was 16 or 17 back in the early 80's (when I didn't know any better) I had the speaker replaced rather than re coned. I agree! Two versions of the legendary Fender amplifier. Browns are throaty, warm, and looser than BF amps. 7. This Deluxe Reverb was listed on Craigslist as a "70's Silverface". but I think you can get a very good distortion on a clean amp. 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